Después de un tiempo de experimentar con sonidos electrónicos, el pop y new wave, Glenn Donaldson regresa junto a su eterno colaborador Steven R. Smith y nos entregan como resultado un álbum de psych-folk con tintes electrónicos. Buen regreso de estos 2 referentes del psych folk experimental.
The Ivytree & Chris Smith. Split LP (fat cat records, 2005)
THE IVYTREE The five beautiful songs gathered here are based around picked acoustic guitar, bowed bouzouki, organ drones, wind-chimes, subtly scattered percussion, location recordings, and Donaldson's own sweet, highly distinctive falsetto voice.
CHRIS SMITH The five stunning tracks Smith recorded for this Split transition are dense, multi-layered guitar improvisations, and result in the creation of a dense tapestries of timbres and tones for the listener to explore and get lost in.
Gareth Davis & Steven R. Smith. The Line Across (alt. vinyl, 2010)
"Unspooling like wisps of smoke, the tones of “Other Forms of Consecrated Life” simultaneously conjure exotica and melancholy. What Davis and Smith manage to pull off here is the sound of flickering reflections in canal tunnels, something beyond drone and soundscaping; 3/4 cloud cover sporadically parting to reveal abyssic drops within it. It is not all intangible drift though; raw guitar sequences (even rhythm parts) appear in the sound as clarinet echoes and violin/fiddle tensions make textures from foreboding trails of drones. If a piece of shorthand could be applied to Steven R Smith’s playing here, then picture a Colour Haze or Earth trading instrumental punches with Derek Bailey through a Styrofoam cup phone.
On the flipside is “The Natural History of Devastation”, a piece that falls somewhere on the fields far beyond descriptions and sounds of grace and mourning. There are unconscious nods to a GYBE! sound here, layered stately string sounds and the chiaroscuro of feedback and waves of black moving across the vinyl. This track is a slow lull of strangled clarion call, Orbison’s cold fingers on the guitar and banks of fog leaving only loss in the sound’s wake. Things might not at first listen appear like they’re going to be ok in the morning, but familiarity with “The Line Across” shows that they might just end up close to perfect after all." Alt. Vinyl