Ignatz. Some of Them Are Funny Songs

Ignatz. Some of Them Are Funny Songs (beniffer editions, 2009)

http://www.ignatz.be/

Take 487!

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Brothers of The Occult Sisterhood. Terrastock 6

Brothers of The Occult Sisterhood. Terrastock 6

Providence Rhode Island. 2006

Take 486!

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Acoustic Family Creeps. Play Live in The Woods

Acoustic Family Creeps. Play Live in The Woods (self released, 2009)

Take 485!

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Magic Lantern. Live at The Smell 2008

Magic Lantern. Live at The Smell, Los Angeles. Enero 20, 2008

Take 484!

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Hellvete / Bear Bones Lay Low. Spliff Tape

Hellvete / Bear Bones Lay Low. Spliff Tape (oaken palace records, 2016)

Una sesión homenaje a La Monte Young, Glen Steenkiste y Ernesto Gonzalez dejan detrás su pasado como fundadores de Silvester Anfang y su funeral-folk para adentrarse nuevamente en la electrónica alemana de mediados de los años 70, sonido que es cada vez mas común en sus nuevas composiciones.
Hellvete y Bear Bones Lay Low nos traen de regreso a Edgar Froese y el Tangerine Dream de Zeit. Un verdadero viaje para dejarle nuestro cuerpo físico a estos maestros de la música experimental.





https://degek.wordpress.com/

https://bearboneslaylow.wordpress.com/


Pueden comprarlo aquí: (link)

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Jack Rose. Peel Session 2004

Jack Rose. Peel Session Junio 9, 2004

Take 483!

cada semana 1 álbum en vivo
every week 1 live show

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A. Jarvis. She Is Also Phasing

A. Jarvis. She Is Also Phasing (peasant magik, 2008)

Take 482!

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Grouper. Ruins

Grouper. Ruins (kranky, 2014)

"Ruins was made in Aljezur, Portugal in 2011 on a residency set up by Galeria Zé dos Bois. I recorded everything there except the last song, which I did at mother's house in 2004. Iʼm still surprised by what I wound up with. It was the first time Iʼd sat still for a few years; processed a lot of political anger and emotional garbage. Recorded pretty simply, with a portable 4-track ,Sony stereo mic and an upright piano. When I wasnʼt recording songs I was hiking several miles to the beach. The path wound 
through the ruins of several old estates and a small village. 

The album is a document. A nod to that daily walk. Failed structures. Living in the remains of love. I left the songs the way they came (microwave beep from when power went out after a storm); I hope that the album bears some resemblance to the place that I was in." Kranky






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